2025 DCS Silent Auction Draft – Do Not Publish

by | Mar 23, 2025 | Silent Auction | 0 comments

Through the generosity of our supporters who are donating very valuable products, we will once again hold our DCS Internet Silent Auction to coincide with NAB. It is a great way for our supporters to make you aware of their new products while giving members a chance to get great deals, and at the same time help finance the Digital Cinema Society.

Here’s how it will work: All current DCS members are welcome to e-mail us bids on the products described on the following list, (plus any additions that may be donated.) Bidding will end promptly with the close of NAB 2025 at 2:00 p.m. (Pacific Time) Wednesday, April 9th, and the winners will be notified shortly thereafter. In most cases the companies making the donations have elected to ship the products directly, so they will be given the winners’ contact details and arrange delivery. As with our dues collection, payment for the silent auction prizes will be via Paypal or check in US funds sent to us prior to pickup or shipping. Buyers are responsible for the actual cost of shipping, if any, as well as all import/export taxes that may be due. If the bid price fails to reach the listed minimum, the item will be added to our next raffle of SWAG and given away at an appropriate DCS event. SO WHAT HAVE YOU GOT TO LOSE?

Silent Auction Items:

Last updated March 28, 2025 at 3:00PM

Item #1 –Blackmagic Design PYXIS 6K digital film camera, (Choice of PL, EF, or L-Mount)

The Blackmagic Design PYXIS 6K digital film camera is a high-end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets the user build the perfect camera rig to meet their needs. There are 3 models available to choose from including either EF, PL or L-Mount. It records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time. The PYXIS boasts a wide 13-stop dynamic range and features 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud, (or stream directly to your social media platform of choice via Ethernet or mobile 4G/5G technology.) The PYXIS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions and includes a built in optical low pass filter that’s been designed to perfectly match the sensor.

More info available at the Blackmagic Design website: https://www.blackmagicdesign.com/products/blackmagicpyxis

MSRP of $2,995.00 with a Minimum Bid of $1,995.00

Item #2 — CINEMA // Series Limited Edition Trailblazer Kit – All-Fluorite Cinematography Optics to Empower Your iPhone

Crafted with fluorite crystal glass and up to 98-layer multi-coated optics—including anti-glare, scratch-resistant, hydrophobic, and UV/IR protective coatings—the lenses ensure pristine clarity, minimal distortion, and true-to-life color reproduction. Whether capturing anamorphic widescreen, telephoto compression, macro details, or ultra-wide perspectives, the CINEMA // Series integrates seamlessly into professional workflows for uncompromising results. Developed in collaboration with ShiftCam, the global leader in mobile lens innovation, and TUSK, a renowned collective of filmmakers, the CINEMA // Series combines aerospace-grade construction with cutting-edge optical engineering to perform flawlessly in real-world production workflows.

The kit includes a 15mm and 18mm Anamorphic, a 60mm Telephoto, a 25mm and 75mm Macro, a 16mm wide angle, and an even wider 8mm Fisheye. 8 filters include an ND, VND, Mist, and CPL filters, providing precise exposure control and cinematic effects for any lighting environment. From motion blur to glare reduction, these filters give filmmakers the tools to bring their creative vision to life. With only 50 sets in this special production run, the Trailblazer Kit is a unique opportunity. Shipping begins in June 2025.

MSRP of $3,600 MSRP with a Current Bid of $2,000.00

For more details please visit: https://tusk.shiftcam.com/

Item #3 — ZEISS Batis E-Mount Lens in Choice of Focal Length, (2.8/18, 2/25, 2/40 CF, 1.8/85 or 2.8/135)

ZEISS Batis are full frame, lightweight lenses with fast autofocus that are offered here in the buyer’s choice of focal lengths: f2.8/18mm, f2/25mm, f2/40mm CF, f1.8/85mm or f2.8/135mm. The ZEISS Batis autofocus lenses were specially developed for mirrorless, full-frame sensor cameras from Sony. They have been adapted to work with the camera to form a compact, lightweight system that doesn’t compromise on performance. The lenses are fully compatible with all E-mount cameras and offer not only fast, quiet autofocus, but also protection against dust and weather. For creative photography, the innovative OLED display shows the distance and depth of field to ensure the focusing range can always be perfectly set. The high-speed fixed focal lengths of the ZEISS Batis family offer flawless imaging thanks to their completely revamped optical design. The legendary ZEISS T* anti-reflective coating, combined with more than 125 years of experience in lens development and the latest technologies, ensure that every moment captured with a ZEISS Batis lens provides that exceptional ZEISS look.

More info available at the Carl Zeiss website: https://www.zeiss.com/consumer-products/us/home/website/photography/zeiss-batis-lenses.html

MSRP of $999.00 to 1,299.00 per lens — with a Minimum Bid of $499.00 for your choice of any one lens

Item #4 — BLUESHAPE Granite Mini Battery in Choice of V-Mount or Gold Mount

 

BLUESHAPE‘s GRANITE MINI batteries are designed to deliver a lot of power from a compact, but robust chassis designed for the rigors of a film or video set.  Aside from being robust, the GRANITE MINI batteries are also powerful, outputting 14.8 volts of power, satisfying power-hungry cameras and lights between the main battery output and the two D-Taps on the sides. In addition, either D-Tap can serve to charge the battery with a separately available D-Tap charger. As an extra measure of protection, the D-Taps have rubber covers that help maintain the IP54 resistance rating against moisture and dust ingress. The BLUESHAPE GRANITE MINI includes an LED battery meter and also offers a free iOS/Android app that can monitor and control various aspects of the battery, completely wirelessly, over Wi-Fi. The app updates in real-time based on current capacity, charging speed, and power draw to monitor State of Charge, Expected Time to Empty, Cell Temperature, Remaining Capacity, Full Charge Capacity, and even Cycle Count.

For more details visit: https://blueshape.net/product/gr-mini/bv095hdmini

MSRP of $356.00 with a Minimum Bid of $165.00

Item #5 — Blackmagic Design DaVinci Resolve Speed Editor

DaVinci Resolve Speed Editor is designed for professional editors who need to work faster and turn around work quickly. With dedicated buttons and a high quality jog shuttle knob, it’s much faster than a mouse! Simply plug DaVinci Resolve Speed Editor into any computer’s USB‑C connection or use Bluetooth BLE and you are ready to go.  Includes DaVinci Resolve Studio activation key.

For more information and a complete list of features visit: https://www.blackmagicdesign.com/products/davinciresolve/techspecs/W-DRE-13

MSRP of $395.00 with a Minimum Bid of $175.00

Item #6 — K-Tek 7′4″, 4 Section Carbon Composite KC88 Indie Boom

KC88, K-Tek Indie Pole -7’4″, 4 section, carbon composite, uncabled boom pole. Collapsed length – 28.75″ (0.73 m), extends to 7’4″ (2.24 m). Boompole weighs .95 lbs. (.43 kg). The top attachment, standard 3/8″ – 16 male thread.  Knurled Collars for firm grip, smooth finish on tubes for clean extension. Proudly made in California.

The K-Tek Indie Poles are a brand-new line of boom poles built for independent filmmakers, documentary makers, news gatherers, and vloggers who need reliable gear on the go. Whether you’re shooting a fast-paced documentary, covering breaking news, or working on your latest indie project, you need a boom pole that can keep up. That’s why they designed the K-Tek Indie Poles with a proprietary composite material — they are lightweight, durable, and easy to handle in the most demanding environments with an independent filmmaker’s budget in mind.

For more details visit the K-Tek website: https://ktekpro.com/product/kc88-k-tek-indy-pole-2/

MSRP of $179.00 with a Minimum Bid of $99.00

Item #7 — DoPchoice SNAPBAG for ASTERA 1 Titan Tube

DoPchoice SNAPBAG® especially created for single Titan tubes from Astera. Made to give filmmakers maximum control of their lighting, the benefits of these premiere softboxes include intensified output, adjustable beam spread, simplified pack-up, and the easy track mounting system— together the SNAPBAG® and tube are extremely lightweight.

 

For more details visit: https://www.dopchoice.com/product/sbaat41/

MSRP of $579.00 with a Minimum Bid of $199.00

Item #8 — AJA U-TAP SDI for USB 3.0 Powered 3G-SDI Capture

The U-TAP 3G-SDI USB 3.0 (USB 3.2, Gen 1) capture device brings professional connectivity and high quality video capture to your laptop or workstation. U-TAP SDI is bus powered with the ability to simply and easily bring in video across 3G-SDI for use within a wide range of software without any drivers to install, as it’s supported directly in macOS®, Windows® and Linux®.

For more details visit:  https://www.aja.com/products/u-tap-sdi

MSRP of $399.00 with a Minimum Bid of $199.00

Item #9 — New Media Film Festival – Two Submission Entries and Two Admission Badges

The New Media Film Festival® returning June 4 and 5, 2025, offers a unique platform for storytellers who dare to step away from the conventional and embrace innovation. With a submission process that values story and production quality, the festival opens doors to industry leaders and potential collaborations. It’s an opportunity for creators to retain their rights while gaining exposure and recognition from seasoned professionals in the field of New Media.

For more details, visit the NMFF website: https://www.newmediafilmfestival.com/submit/

MSRP of $200.00 with a Minimum Bid of $95.00

Item #10 — Blackmagic Micro Studio Camera 4K G2 plus a fitted XLCS Designs Camera Cage

Extremely tiny broadcast camera includes low light cinematic 4K sensor, MFT lens mount, 12G-SDI and HDMI for HD and Ultra HD up to 2160p60, built in color corrector and recording to USB disks. This tiny UHD 4K studio camera is designed for live productions and has been updated to feature the same image sensor found in Blackmagic’s Studio Camera 4K Plus G2, which supports 3840 x 2160p60. The camera is equipped with an active MFT mount that can accept native MFT lenses or be adapted to a wide range of other modern and vintage lenses. It outputs 10-bit 4:2:2 video via 12G-SDI and can be remotely controlled from an ATEM switcher using SDI control protocol. The camera packs many professional studio features into a compact form factor, including a built-in color corrector, program return, talkback, and tally indicator.

Note: These two items were kindly donated new in sealed boxes by Steve Irwin of Playback Technologies in Burbank, CA. They were purchased recently as part of a much larger package, but are currently surplus to his operations. Also note that this package does not include the pictured lens.

More info available on the camera at the Blackmagic website: https://www.blackmagicdesign.com/products/blackmagicmicrostudiocamera
and you can find details about the cage at https://www.xlcsdesigns.com/products/xlcs-micro-cage

MSRP of $995.00 for the Camera and $149.00 for the cage with a Minimum Bid of $549.00 for the combined package

Item #11 — Color Science and Digital Imaging
An Essential Guide for Visual Effects Artists, Filmmakers, and Photographers by Steve Wright

This book, written by a leading expert in the field of visual effects (VFX), demystifies the complex subject of color science and how it should be managed from project ideation to completion. Readers will learn not only how things work, their capabilities and limitations, but also the color science that goes along with them, in an accessible and informative manner. Starting in the real world, with an understanding of light and our human perception of it, the book then explores how digital cameras “see” and digitize the scene. From the capture of these images, the author then explores the fundamental concerns of storage, editing, and managing color images, including with OpenColorIO and ACES, the Academy Color Encoding System. Written for professional photographers, cinematographers, VFX, motion graphics and computer graphics artists, editors, and colorists, this book will provide you with knowledge of the upstream and downstream technology of your job that will not only give you a competitive advantage and help you to make better images, but also give you a real-world working knowledge of color science. The book contains 25 QR explainer videos.

More info available at the publisher’s website: https://www.routledge.com/Color-Science-and-Digital-Imaging-An-Essential-Guide-for-Visual-Effects-Artists-Filmmakers-and-Photographers/Wright/p/book/9781032773865

Paperback edition with MSRP of $98.99 with a Minimum Bid of $50.00

Item #12 — Digital Compositing for Film and Video: Production Workflows and Techniques, 5th Edition by Steve Wright

Written by senior compositor, technical director, and master trainer Steve Wright, this book condenses years of production experience into an easy-to-read and highly informative guide suitable for both working and aspiring visual effects artists. This updated edition of /Digital Compositing for Film and Video/ addresses the problems and difficult choices that professional compositors face daily with an elegant blend of theory, practical production techniques, and workflows. It is written to be software-agnostic, so it applies to any brand of software. It features many step-by-step workflows, powerful new keying techniques, and updates on the latest tech in the visual effects industry with all-new content on artificial intelligence (AI) for visual effects (VFX), Universal Scene Description (USD), Virtual Production, and Cryptomattes. A companion website offers images from the examples discussed in the book allowing readers to experiment with the material first-hand. This edition also adds Nuke workflows to the companion website for the first time.
More info available at the publisher’s website: https://www.routledge.com/Digital-Compositing-for-Film-and-Video-Production-Workflows-and-Techniques/Wright/p/book/9781032417998

Paperback 1st edition with MSRP of $62.99 with a Minimum Bid of $35.00

Send Bids Now:

Bids@DigitalCinemaSociety.org

Again, please specify the item, description, and price you would like to offer along with your current contact details.

More Items may be added throughout the auction, and we will try to update as we are able, so check back often. We will do our best, but please know that this is no eBay. No offer of solicitation of any merchandise at any particular price is expressed or implied. Thanks for bidding!

 Thank You For Supporting THE DIGITAL CINEMA SOCIETY

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