Delivery of a 4K Master is increasingly what is being demanded, but the good news is that it is getting easier to achieve, and there are now many routes to get there.  During this event, held Saturday, November 21st at Raleigh Studios in Hollywood, the Digital Cinema Society in cooperation with such groups as the LAPPG, Digital Production BuZZ, ProductionHUB, Aotg.com, Post Perspective, and Pro Video Coalition gathered to explore the challenges and solutions of finishing in 4K.

Presentations include ACES by Steve Tobenkin – – Adobe Premiere by Kevin Monahan – – Avid Media Composer by Michael Krulik – – Black Magic Design’s Rony Soussan on Fusion and Fred Beahm on Resolve – – Daystrom by Paul Evans – – Foto Kem/Next Lab by Tom Vice – – Intelligent Assistance/Lumberjack by Philip Hodgetts – – MTI Film by Jim Hannafin – – OWC by Chris Haeffner – – Modern VideoFilm by Bryan Mcmahon

The event is hosted by James Mathers and Philip Hodgetts.  The volunteer Crew includes Event Producer David Mahlmann, Camera Operators Shona (Cricket) Peters, and Scott MacDonald.  Editor Rainer Standke and helping to Engineer and Setup, Aaron Latham-James from Panasonic. Raleigh Studios provided the venue.  A very big thank you to all!

The coverage is accessible from the New Streaming link on the DCS page or visit:

https://vimeopro.com/digitalcinemasociety/4-ways-to-a-4k-finish